Friday, 3 October 2008

Edward Hopper Chair Car painting

Edward Hopper Chair Car paintingEdward Hopper A Woman in the Sun paintingJuan Gris Woman with a Basket painting
were in good favour, which in bad, what recent theological hypothesis was suspect, and how this or that Jesuit or Dominican had skated on thin ice or sailed near the wind in his Lenten discourses; he had everything except the Faith, and later liked to attend benediction in the chapel of Brideshead and see the ladies of the family with their necks arched in devotion under their black lace mantillas; he loved forgotten scandals in high and was an expert in putative parentage; he claimed to love the past, but I always felt that he thought all the splendid company, living or dead, with whom he associated slightly absurd; it was Mr Samgrass who was real, the rest were an insubstantial pageant. He was the Victorian tourist, solid and patronizing, for whose amusement these foreign things were paraded. And there was something a little too brisk about his literary manners; I suspected the existence of a dictaphone somewhere in his panelled rooms.

1 comment:

spadamchrist said...

The piece is the first of a series of stark urban and rural scenes that uses sharp lines and large shapes, played upon by unusual lighting to capture the lonely mood of his subjects. He derived his subject matter from the common features of American life gas stations, motels, the railroad, or an empty street — and its inhabitants.Hopper continued to paint in his old age, dividing his time between New York City and Truro, Massachusetts. He died in 1967, in his studio near Washington Square, in New York City
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