Jack Vettriano Angel

Jack Vettriano AngelJack Vettriano And So to BedJack Vettriano an Imperfect past
respectfully as Will and Lyra walked into the warmth and light. The man closed the door behind them and hooked a wire over a nail to keep it shut.
It was a single roomman and the woman and the two young children, there was a baby in a crib, an older man, and in one corner, in a heap of blankets, a very old woman, who was lying and watching everything with glittering eyes, her face as wrinkled as the blankets. As Lyra looked at her, she had a shock: the blankets stirred, and a very thin arm emerged, in a black sleeve, and then another face, a man's, so ancient it was almost a skeleton. In fact, he looked more like the skeleton in the picture than like a living human being;, lit by a naphtha lamp on the table, and clean but shabby. The plywood walls were decorated with pictures cut from film-star magazines, and with a pattern made with fingerprints of soot. There was an iron stove against one wall, with a clotheshorse in front of it, where some dingy shirts were steaming, and on a dressing table there was a shrine of plastic flowers, seashells, colored scent bottles, and other gaudy bits and pieces, all surrounding the picture of a jaunty skeleton with a top hat and dark glasses.The shanty was crowded: as well as the