Sandro Botticelli La Primavera painting

Sandro Botticelli La Primavera paintingSalvador Dali meditative rose paintingSalvador Dali clock melting clocks painting
Mary meanwhile rocked quietly backward and forward, and from side to side, groaning, quietly, from the depths of her body, not like a human creature but a fatally hurt animal; sounds low, almost crooned, not strident, but shapeless and orderless, the sisters, except in their quietude, to those transcendent, idiot, bellowing screams which deliver children. And as she rocked and groaned, the realization gradually lost its fullest, most impaling concentration: there took shape, from its utter darkness, like the slow emergence of the countryside into first daylight, all those separate realizations which could be resolved into images, emotions, thought, words, obligations: so that after not more than a couple of minutes, during which Hannah never ceased to say to her, “Mary, Mary,” and Father Jackson, his eyes closed, prayed, she sat still for a moment, then got quietly onto her knees, was silent for not more than a moment more, made the sign of the Cross, stood up, and said, “I’m ready now.”
But she swayed; Hannah said, “Rest, Mary. There’s no hurry,” and Father Jackson said, “Perhaps you should lie down a little while”; but she said, “No; thank you; I want to go now,” and walked unsteadily to the door, and opened it, and walked through